![]() In the book Dalby reveals that throughout most of Japanese history, a multitude of facts about the wearer's age, social class, and romantic availability could be signaled by the kimono's arrangement. ![]() "Her experience inspired this exhaustive chronicle of the history and social meanings of the robe," noted a Publishers Weekly contributor about Dalby's Kimono. ![]() Part of Dalby's experience as a geisha included wearing a kimono-a garment that has played an important part in Japan's culture and history. She gives us plenty of social history and current practice, she enlivens her account with her own experiences, but she never shoves herself to center stage." She succeeds, in large part, because she actually became a geisha-not a typical geisha, to be sure-but as Dalby shows us, there is no such thing as a ‘typical geisha.’" Paterson also commented: "The result of Liza Dalby's research is an elegantly balanced book. Discussing Geisha in the Times Literary Supplement, Jonathan Burnham explained: "Dalby devotes a brief section … to history, charting the profession's fluctuations in popularity, and correctly underlines the geisha's progress from arbiter of fashion in the Edo period to curator of tradition in the present day." Katherine Paterson, reviewing Geisha for the Washington Post Book World, reported: "Dalby sought to open up for foreigners the inscrutable world of the geisha. Though geishas have often been associated with prostitution, the women who take this title more frequently merely provide conversation, companionship, and entertainment (such as playing music or singing) for male customers. She penned another factual work-this time about Japanese dress-titled Kimono: Fashioning Culture, before trying her hand at fiction with the 2000 novel The Tale of Murasaki. Dalby recounts her experiences in her first book, titled Geisha. She also spent a year pursuing the ancient Japanese profession of the geisha, becoming the only Western woman to do so. Liza Dalby is an anthropologist who has devoted her career to the study of Japanese culture. (Author of foreword) Ariake: Poems of Love and Longing by the Women Courtiers of Ancient Japan, Chronicle Books ( San Francisco, CA), 2000.Įast Wind Melts the Ice: A Memoir Through the Seasons, University of California Press (Berkeley, CA), 2007.Īlso contributor to All-Japan: The Catalogue of Everything Japanese, Morrow ( New York, NY), 1984, and The Women of the Pleasure Quarter: Japanese Paintings and Prints of the Floating World, Hudson Hills Press (New York, NY), 1995. The Tale of Murasaki (novel), Doubleday ( New York, NY), 2000. (As Liza Crihfield Dalby) Kimono: Fashioning Culture, Yale University Press ( New Haven, CT), 1993. (As Liza Crihfield Dalby) Geisha, University of California Press (Berkeley, CA), 1983. (Rutland, VT), 1979, reprinted as Little Songs of the Geisha: Traditional Japanese Ko-uta (as Liza Dalby), Tuttle (Boston, MA), 2000. (Editor, as Liza Crihfield) Ko-uta: "Little Songs" of the Geisha World, C.E. Worked as a geisha in Japan served as geisha consultant to Rob Marshall and the producers of the film Memoirs of a Geisha, 2004. E-mail- CAREER:Īnthropologist and writer. ![]() Education: Stanford University, M.A., 1974, Ph.D., 1978 also attended Saga University, Saga, Japan. Married Michael Dalby (an educator) three children.
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